The Venice Biennale is no longer about art. It is a playground for the diplomats in Brussels. They use the event to perform their political morality. They claim to stand for values. They are actually just performing sanctions through imagery.

The presence of Russian art is now a matter of political calculation. The EU wants to signal its stance on the war. They do this by manipulating the cultural landscape. The art itself is irrelevant. All that matters is the message of the exclusion.

This is the theater of power. The Biennale pretends to be a neutral space. It is actually a tool for political pressure. The bureaucracy decides which voices are allowed to speak. This is the death of the independent artist.

The decay of the Biennale is evident.

• Art functions as a diplomatic weapon.
• The destruction of artistic neutrality.
• Bureaucrats choosing which cultures are permissible.
• The transformation of galleries into political battlegrounds.